Hit Man pulls the trigger on comedy and crime

In Hit Man, director Richard Linklater delves into the peculiar world of undercover work with his usual blend of wit and casual storytelling. However, despite its intriguing premise and a solid performance by Glen Powell, the film seems to waver between genres, leaving some promise unfulfilled. The movie flirts with the idea of becoming a hard-hitting crime drama but gets tangled in its own comedic charm, resulting in a ride that’s enjoyable but not entirely satisfying.

Glen Powell stars as Gary Johnson, a mild-mannered philosophy professor turned undercover hitman. Yes, it sounds absurd – and that’s part of the film’s initial allure. Powell plays Gary with a mix of confidence and uncertainty, capturing the awkwardness of a man stepping into shoes far too big for him. His charisma and impeccable timing elevate the film’s comedic moments, and you can’t help but root for this unlikely hero as he fumbles through his new role. However, even his dynamic performance can’t mask the film’s uneven pacing.

Linklater’s direction brings his signature casual storytelling to the forefront. He crafts scenes with an unhurried, conversational style that’s both refreshing and, at times, frustrating. There’s a palpable sense of fun in Hit Man, especially in the way it pokes fun at crime drama tropes. But as the narrative progresses, it starts to feel like a collection of amusing vignettes rather than a cohesive story. The plot occasionally gets lost in its own playfulness, which diminishes the tension necessary for a crime flick.

The film does shine in its exploration of identity and morality. Gary’s journey from an unsuspecting professor to a faux hitman raises intriguing questions about the masks we wear and the roles we play in life. Yet, these themes are only lightly touched upon, leaving a desire for deeper exploration. It’s as if the film itself is afraid to fully embrace the darkness it flirts with, instead retreating to the comfort of its comedic beats.

The chemistry between Powell and his co-stars adds some spice to the mix, particularly in scenes that blur the lines between flirtation and deception. However, the supporting characters often feel underdeveloped, serving more as comedic foils than fully fleshed-out individuals. This lack of depth makes it harder to invest in the story’s stakes, reducing the overall impact of the film’s climax.

Ultimately, Hit Man is an entertaining watch, especially for fans of Linklater’s laid-back style and Powell’s charm. It delivers a unique blend of comedy and crime, though it never quite manages to find the perfect balance between the two. While it may not hit the bullseye, it’s still an intriguing detour worth taking – just don’t expect a flawless execution.