Lisa Frankenstein resurrects fun with a morbid twist
Zelda Williams makes her directorial debut with Lisa Frankenstein, a film that playfully dances between the gothic and the goofy, anchored by a delightfully offbeat script. While it might not revolutionize the genre, it certainly brings a breath of fresh air into a story we thought we knew inside and out. Set in a nostalgic version of the 1980s, the movie feels like an homage to classic teen flicks while also embracing its macabre, monster-movie roots.
Kathryn Newton stars as Lisa, a teenager with a morbid curiosity and a boredom-fueled imagination. When she accidentally resurrects a reanimated corpse (played with charming awkwardness by Cole Sprouse), the fun really begins. Their bizarre yet surprisingly sweet chemistry drives the narrative, giving this tale of love and resurrection an unexpected heart. Newton embodies Lisa with a perfect blend of angst and eccentricity, while Sprouse manages to make his lumbering, undead character oddly endearing. Their interactions are both hilariously awkward and strangely tender, making you root for this unlikely duo.
The film’s tone is where it truly shines. Williams deftly balances horror elements with humor, creating a roller-coaster atmosphere that is equal parts spooky and silly. The script, penned by Diablo Cody, is peppered with sharp dialogue and wry commentary on teenage life and love. However, the story does hit a few bumps along the way, with some pacing issues and subplots that feel a bit underdeveloped. The movie doesn’t quite delve as deeply into the emotional or philosophical implications of resurrection as it could have, opting instead for a lighter, more surface-level exploration.
Visually, Lisa Frankenstein nails the retro aesthetic. From the neon-lit backdrops to the campy yet meticulously detailed costume design, the film captures an era while also crafting its own unique style. The makeup and practical effects used to bring Sprouse’s character to life are top-notch, managing to be both grotesque and oddly charming. It’s a delightfully twisted love story that doesn’t take itself too seriously, and the visuals work hand-in-hand with the narrative to keep the mood lively and engaging.
While Lisa Frankenstein may not be groundbreaking, it’s an entertaining ride that succeeds in blending its genres with a wink and a nod. It’s a fun, freaky romp that showcases Williams’ potential as a director and reaffirms Diablo Cody’s knack for quirky, razor-sharp writing. If you’re in the mood for a bit of undead romance with a side of campy humor, this film is definitely worth the watch. Just don’t go in expecting deep scares or profound insights – it’s more interested in having a little mischievous fun.
